PRATA´S SACRED ART |
|
CHURCHES
|
|
|
The church in the begining of the art works, december 1996. |
|
![]() The artist used the beeswax technic of painting, gilding with gold leaves and
phosphorescent pigments. He created a painting that can be observed by day and also by
night, even without the lights clearing the interior of the church. We can see upon the
plexus of the Pantocrator Christ, The Holy Face of the Saint Suaire, self iluminated by
the power of the phosphorescent pigments. |
|
![]() In
this mural, we can see also the four
evangelists represented by the winged man, winged bull, winged lion and by the eagle. |
|
|
|
|
Angel playing the violin. |
|
| PHOSPHORESCENT PAINTINGS | |
![]() |
|
| Saint Thérese´s life scenes. | |
|
|
|
![]() |
|
|
|
|
NOSSA SRA. DO DESTERRO
CHURCH |
|
![]() Sérgio Prata began the paintings of this church in december
1997, ordered by the Bishop Dom Bruno Gamberini.The second dream of Saint Joseph and the escape to Egipt, with a Pantocrator, is the central panel, in encaustics. |
|
![]()
When you turn off the light, revealed by an angel, you see the holy family
going to Egipt, to escape the Herodes persecution. Mars 1998. |
|
| CRISTO REI CHURCH Atibaia, São Paulo, Brazil |
|
|
The right mural was painted in 1999, with
teh last dinner of Christ. at the center, Christ bless his disciples. In
his hand, we can see the holy bread, and just behind it, in the wall, the
place where the priest can take it to the people. At the Christ's chest,
you can see in the complete darkness the Holy Suaire of Turin, in
phosphorescent pigments. ![]() Last Supper, 7,00 x 2,00 ms. 1999. |
|
|
|
|
|
See also: ARTE SACRA |
|